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ANYTHING GOES / PHANTOM OF THE OPERA - NYC EPA
Mon, Apr 16, 2018
10:00 am - 6:00 pm (EDT)
Lunch 2:00-3:00 pm
Dinner Theatre $591.50 weekly minimum
Equity actors for roles in ANYTHING GOES and PHANTOM OF THE OPERA (Yeston/Kopit version). See breakdown.
Please prepare a brief song appropriate for the show and character you are auditioning for. Singing from the show is welcome. Please note this is the Yeston/Kopit Phantom.
250 W 54th St
New York, NY 10019
Anything Goes - Richard Stafford - Director/Choreographer
Phantom - Tom Polum - Director
Bill Stutler/Bob Funking - Executive Producers
Lisa Tiso - Producer/Casting
All except Bob Funking expected to attend.
Anything Goes - rehearsal: 6/25/18; Opens: 7/5/18; Closes: 9/9/18
Phantom - Rehearsal: 9/3/18; Opens: 9/13/18; Closes: 1/27/19 (unpaid hiatus from 11/26 thru 12/25/18)
EPA Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Reno Sweeney — a nightclub singer turned Evangelist – MUST MOVE VERY WELL – SOME TAP
Billy Crocker — assistant to Elisha, love-struck would-be suitor to Hope – MUST DANCE
Hope Harcourt — American debutante and the object of Billy's affection – MUST DANCE
Mrs Evangeline Harcourt — Hope's mother
Lord Evelyn Oakleigh — Hope's wealthy English fiancée
Moonface Martin — a second-rate gangster, "Public Enemy Number 13",– Comedic Role
Erma — sidekick to Moonface
Elisha J. Whitney — Ivy league Wall Street banker, Billy's boss
PHANTOM OF THE OPERA
PHANTOM/ERIC (Male, 20s-30s) Elegant, charming and yet – deeply disturbed. Lived for almost his whole life in the opera house. He is obsessed with Christine, which leads him onto a path of revenge and murder in her name. Baritone. Any ethnicity.
CHRISTINE DAAE (Female, 20s-30) Beautiful, kind-hearted and naive young opera singer. She feels a true kinship and affection for Eric, despite his troubles. Lyric Soprano. .
CARLOTTA (Female, 30s-40s+) A demanding diva, willing to go as far as to poison Christine when she becomes a threat to her soprano reign. Legit Mezzo-soprano.
GERARD CARRIER (Male, 40s-60s) The former manager of the opera house. Eric’s father. Baritone.
COUNT DE CHANTON/PHILLIPPE (Male, 20s-30s) The handsome and self-confident opera benefactor. In love with Christine. Legit tenor.
JEAN-CLAUDE (Male, 40s-50s) The stage manager. Featured role.
INSPECTOR LEDOUX (Male, 40s-50s) Inspector of the Paris police
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition